11.18.2008
11.07.2008
Phoenix Central Library: Thinking in Section
So it's been a while since my last post, and I thought that I would jot down some thoughts.
As I sit here in Phoenix Airport, I am reminded of the Phoenix Public Library and how that library works as a whole. As thoughts run through my head as I design my own library, I think of my largest issue: thinking in section. In this building, Bruder uses section to accomplish the following: "structural light", double height ceilings, light entering the building, and a general idea of space. I was trying to find a section of this building, but I can't seem to find one in the google-world. From what I remember, the entrance is on the south side, which is completely closed off to the southern directional heat. The northern side is where the reading room and a large curtain wall with sun shades is located. As far as other orientation of staff, and other library needs, I am not so sure as to how the building functions. I do know that the structure of the roof is a very interesting. Bruder's idea of "Structural Light" is something that can only be discovered in section. As seen in the image above, the columns clearly do not touch the roof. Instead, there is a circular window which allows light into the building and enhances the concept of these columns that do not touch the top. In order to make this column work, Bruder splits the load into four sections a long a grid, and in the middle, in the column which receives all of load of the roof above.
The idea of this "Structural Light" is very similar to my concept of floor "sky-lights". Where the column comes up, through the study carrel, the floor turns to glass, allowing light to the lower level and also a feeling of lightness in the same area of structure.
Unfortunately, that's all the time I have here in Phoenix.
Charles Renfro: Humor In Architecture
10.15.2008
10.05.2008
This was my spiral bridge
This was a final model of my bridge project. There will be more to come. it's a conceptual model at 3/32"= 1' scale. Check it out. There will be more to explain later.
9.30.2008
Lightline
So, Today, I was looking through my photos and I came across this one.
This was taken nearly 5 years ago, and I must say that it was this photograph that inspired me to get more into photography. I took this not knowing exactly what I was doing, but just being experimental. I was 15 years old, messing with a point and shoot Konica Minolta.
This was taken as I was volunteering at YWAM (Youth With A Mission) in Tijuana, Mexico where I was a counselor and a part of the worship band. I actually took this on a day trip to Coronado Island while waiting for the driver to get gas in the van. As a tripod, I used the sill of the window in the van, rolled down the window and took this. There was no Photoshop used to enhance the image, but I do think that it was an amazing photo, and one worthy of being noted as the photo that inspired me to become the best artist possible.
This photograph was actually published in a photography quarterly magazine under the category "use of lines".
I think that this is a great composition that I just stumbled across because of the bright colors, use of horizontal lines, the "ghost" of the car, the diagonal lines off to the right, and the depth of the telephone poles and sense of a horizon.
This is me saying how I am in awe of how the amateur, young and naive artist in me, still inspires the thought and urge for me to become ever better to try to accomplish this same thing.
n.tm
9.22.2008
9.16.2008
Equilibrium in the Human Body
This was the first project of the semester, and I must say that I was indeed impressed with the assignment. It dealt with equilibrium and balance through tension and compression.
The beginning stages were taking a board and some rope, and seeing how the board acted in tension and compression. My initial thought was to take on the human figure and compare the board to yoga and different balancing acts of the human figure.
This investigation went so far, and then I started looking at more complex forms such as couples yoga. This was a good investigation because it was two people relying solely on one persons balance. I saw something very important link to both regular yoga and couples yoga and that was that they both had a central core to the balance and that they both transferred the weight down and through the core in able to balance. I looked at points of tension and compression in the bodies to get to these shapes. It was quite interesting how this act was made.
After much discussing with my professor, I decided to veer away from the human figure because it was too restricting, and I could make something a lot more intricate if I were to stray from this.
I decided that trying to balance these figures in such a manner that they balanced on a balance point, stretching to achieve a center of balance. I decided to make three separate figures, which interlocked to achieve balance. The images below is the final model, which stretches the span to achieve a central balance point dispersing the weight to make the bottom, arching structure to balance. I tried to stack them high, but was unable to as it would be top heavy and topple over, so I kept it low and still had a horizontal component to balance the side weight.
In conclusion, this project is turning into a bridge, and as of right now, I am happy with the way this one turned out, but a little stumped as to know where to go from here. Take a look.
9.11.2008
Seven Years Later: WTC 9/11
"The original World Trade Center was a complex of seven buildings, comprising of 13.4 million square feet of office space (almost 4% of Manhattan's entire office inventory). All of the original buildings in the complex were destroyed in the September 11, 2001, attacks: 1 WTC, 2 WTC (North and South Towers) and 7 WTC collapsed; 3 WTC (Marriott Hotel) was crushed by the collapses of 1 WTC and 2 WTC; and 4 WTC, 5 WTC, and 6 WTC were damaged beyond repair and later demolished.
The concept of a World Trade Center complex originated with Nelson and David Rockefeller in the 1950s as an attempt to revitalize lower Manhattan. The initial proposed site on the East River was later moved to the lower west side. The complex towers were designed by Minoru Yamasaki with Antonio Brittiochi in one of the most striking American implementations of the architectural ethic of Le Corbusier, as well as the seminal expression of Yamasaki's gothic modernist tendencies.
In 1966, construction began under the Port Authority of New York and New Jersey with a groundbreaking that razed 13 square blocks of low rise buildings, some of which predated the US Civil War. In December 1970, tenants moved into One World Trade Center. Tenants first moved into Two World Trade Center in January 1972, followed by a ribbon-cutting ceremony on April 4, 1973.
Although the towers became a New York icon, they were not without their flaws. Initially conceived as a complex dedicated to organizations directly involved in "world trade," they failed to attract the anticipated clientele, instead housing various governmental organizations initially. It wasn't until the 1980s when an increasing number of private companies--mostly Wall Street firms--became tenants. The trade center's "superblock", which replaced a more traditional, dense neighborhood, was regarded by many critics as an inhospitable environment that disrupted the intricate flows of traffic typical of Manhattan.
Still, the Towers had their admirers. For those who deemed it cold and sterile, there were just as many who appreciated its sheer immensity. Each of the twin towers had 110 stories. 1 WTC (the North Tower, which featured a massive 360 ft high TV antenna, added in 1978, and the highest restauarant in the world--"Windows on the World) stood 1,368 feet (417 m) high, and 2 WTC (the South Tower, which contained the observation deck) was 1,362 feet (415 m) high. The length and breadth of the towers were 208 feet (63.4 m) x 208 feet (63.4 m). When completed, 1 WTC became the tallest building in the world, unseating the Empire State Building, and 2 WTC became the 2nd tallest. This was a briefly held title, though, as the 1450 foot Sears Tower was already being constructed. On any given day, some 50,000 people worked in the towers with another 200,000 passing through as visitors.
What the towers lacked in architectural aestheticism, they made up for with engineering innovation. Faced with the difficulties of building to unprecedented heights, chief engineer Leslie Robertson employed an innovative structural model: a rigid "hollow tube" of closely spaced steel columns with floor trusses extending across to a central core. The columns, finished with a silver-colored aluminum alloy, were 18 3/4" wide and set only 22" apart, making the towers appear from afar to have no windows at all. Also unique to the engineering design were its core and elevator system. It was the first to use sky lobbies--floors where commuters can switch from an express elevator to a local elevator. The local elevators were stacked on top of each other within the same shaft. Worried that the intense air pressure created by the buildings' high speed elevators might buckle conventional shafts, engineers designed a solution using a drywall system fixed to the reinforced steel core.
In 2007, The World Trade Center was ranked #19 on the AIA 150 America's Favorite Architecture list."
9.06.2008
New Apartment and Thank You!
8.26.2008
New Pictures
Check them out... They were just on a random walk around Claremont...
Final days at home. The 5 days until back in Boston...
2008 American Architecture Awards
8.19.2008
Real Green Architecture
So I was reading this article this morning, and I was so inspired to create some better source of green architecture. I also thought how much you must know about ecology to be able to construct and design a building like this.
This article was an interview with William McDonough, the architect of the Ford Motor Company complex in Dearborn, Michigan which is known for it's create way to store rain water and cool and heat the space naturally.
McDonough is known for his "cradle to cradle" design. "Cradle to Cradle is a protocol I've developed with a German chemist, Michael Braungart. We characterize things as either being part of nature—biological nutrients—or being part of technology , which we call technical nutrients. We look at the world through these two lenses and we say, let the things that are designed to go back to soil, like textiles and clothing, be designed in order to be returned safely to soil, to restore it. But the cars and the computers … [should be] designed to go back into closed cycles for technology."
It's quite amazing to see a man who sees "green architecture" and takes it to the most literal state. By taking it so literal, he actually puts greenery and vegetation on his structures. The above image is a concept model of McDonough's, which shows plants growing on some sort of structure. He shows that the building doesn't need to be a negative space, but more of a "living structure".
His concept of "touching the earth lightly" reminds me very much so of the works of Glenn Murcutt, and his approach to a structure. I think that one of the major differences between the two is that Murcutt can achieve this on a smaller scale and a way more literal state. I once heard that only one of Murcutts homes has an air conditioning unit, which was put in by the home owner, and was used once: the day of installment to test the unit. Murcutt's approach isn't to replace the green on which the structure is on, but to preserve the land as if his structure were not even there.
All this to be said that it made me think about more green architecture, and how I can make a change in both architecture and the world.
Remember: buildings release more carbon emissions into the air than anything else. Let's change that.
n.tm
8.11.2008
MoMA: One Color, and Different Shades of Grey
I saw this a while ago in New York City, and I just stumbled across this picture. This was one of the most amazing things I had seen. These lights completely eliminated and sort of color on anything. Colors were completely dissipated by these lights. It was absolutely amazing.
And... I uploaded some new pictures. Some new, some old. Check them out!
n.tm
IwamotoScott Architecture: SCI-Arc
So, this is something that I really wanted to go to, but unfortunately I am not going to be able to make it as I am going to be in Lake Arrowhead, CA for my sister's wedding.
7.28.2008
LED: America's A Changin'
7.23.2008
I (heart) NY: Photos
Last night, between the hours of twelve and two, I was in Mt. Baldy taking these very creative pictures. I had some fun, and hopefully you will enjoy looking at them.
7.21.2008
Hope: Photos
I like this. Simply long exposure at night. There will definitely be more of these on the Flickr site soon.
n.tm
7.20.2008
A Man Worth Talking To: Rem Koolhaas
"Phantom Hotel" Back!
7.16.2008
NEW PHOTOS!!!
Flickr site has been updated! Tons of new great photos! Check them out...
Just click on the picture.
n.tm
Wood Structure
I went to SCI-Arc in December, as I always do when I am in the area, to check out what they are doing with their work. It inspires me to be a lot more creative than Wentworth encourages me to be. I saw this structure and couldn't help but be amazed. From my understanding, this was one semester class that constructed this structure.
The thing that I love about this structure is that it is continuous and almost seems as though the wall intersects something that was already there. Also, this structure sits beneath the air conditioning vents and looks as if the concept could possibly how the air moves through the space, and it is built to emphasize the air movement. This structure reminds me of a Zaha Hadid lecture that I went to. She said that fluidity is her main concert for her projects, and I couldn't help but notice that this was so very fluid in every way. Wood is a hard material, yet you can manipulate is to act how you want, and that's exactly what these students did.
Fluid. Manipulatable. Wood. Amazing.
n.tm
7.09.2008
Frank Gehry: Trick Me At Least
7.04.2008
6.27.2008
I like this.
Of all my pictures taken in Mexico, this is definitely one of my favorite. It's just got good color. What more can I say? It's nature. It's colorful. It's just good. I like it.
Back home to CA today!
n.tm
6.20.2008
Catholicism in Mexico
In my Mexican travels, I have learned a lot about the culture of the indigenous Mexicans and the Spaniards. The indigenous Mexicans, or indians, had a holy number of four which was represented by the cross. The four pointed symbol was a sign of the sun and its four movements during the day: morning, mid-day, afternoon, and night. When the Spaniards came to this native land, they originally thought that this land had been conquered due to the fact that they thought that Catholicism had already reached them.
In a land of people that fought for so long to keep their individuality against European cultures and religions, Catholicism is a major part of the current culture. When learning more about the indians and how they were conquered, it saddens me to think of how these Spaniards forced this onto the people and forced their culture onto a new people.
Diego Rivera was very indifferent about the Catholic Church and what it stood for in Mexico. Rivera's stance was that they raped the Indians of their belief system and forced their own upon them. Rivera thought that the Catholic Church was to blame for the downfall of Mexico. Rivera was a openly large supporter of the Socialist party, and he said that the corrupt Church was going to tear down the country as a whole. He thought that throughout the years, the Church has only brought turmoil over the land. It brought nothing but , tears, hurt, pain, separation, and death since Catholicism first came to this wonderful land.
If this is what some Mexicans see the Catholic Church as, why is it so loved? Just a thought...
n.tm
Courtyard
Courtyard
Originally uploaded by termeern
This is one of my favorite photos that I have taken while being in Mexico.
This photo captures everything that I wanted in a courtyard. It is an example of how the courtyard is a minimal structure and how it shouldn't be the focus of any picture but the courtyard frames the sky.
The is a photo of the ancient Mayan ruins. This was a very typical house in their culture. The climate where the ruins are is very nice with temperatures in the mid 70s all year around. When climbing the Pyramid of The Sun, it was very clear how important the sun and the sky was to these people. The Sun was a very important part of the lifestyle in this culture. They models their houses to have a central courtyard in which the sun would enter and you would be able to see the light.
When asked, "did theses houses have windows on the exterior?" the answer was simply, "no, they had no need. They always put a central courtyard".
In this photo, is it very easy to understand how this simple structure meets the sky and more importantly, how the sky meets the household.
n.tm
6.14.2008
Mexico City
Eje Central, Downtown Mexico City, 2006.
Originally uploaded by Dante Busquets
Mexico City, here I come.
I have come to rest, relax, and learn.
Architecture posts and photos are soon to come.
nicholas john ter meer
- n.tm
- Boston, MA, United States
- I am from southern California, but for now I live and go to school in Boston, MA where I study architecture at one of the finest institutions that our country has to offer (www.wit.edu/arch).